by Michael R. Allen
On April 24, after a tornado struck Lambert Airport, the New York Times published the article “Struggling St. Louis Airport Takes a Shot to the Chin, but Recovers.†While many St. Louisans quibbled over the symbolic image of the city encapsulated in the adjective “struggling†(applied to only the airport), I found a less immediate semiotic matter of interest. Namely, the article was accompanied by a striking color photograph of Lambert Airport’s iconic main terminal (1956) in the background behind architect Gyo Obata, who directed the project for the firm Hellmuth, Yamasaki & Leinweber. Obata is the last living link to the firm and its renowned principal Minoru Yamasaki, and his presence in the photograph of a boarded-up, weather-beaten terminal conveys strong pride in its design and concern for its future.
In Camera Lucida Roland Barthes writes about the punctum, that part of a photograph’s meaning “that pierces the viewer.†The punctum is subjective, and may diverge from any obvious or intended symbolism in an image. In that New York Times photograph, showing the architect’s watch over a damaged part of Yamasaki’s modernist legacy, I quickly noticed my punctum, a place not represented directly in the photograph but so immediately present in my mind: Pruitt-Igoe.







How is it that a city that has been labeled “the most distressed small in city in America†has also been home to some of the most amazing artists and talents in American life? And despite devastating population and job losses, how is it that East St. Louis has manifested such community resiliency and resolve? The Making of an All-America City: East St. Louis at 150 examines these paradoxes as it chronicles the rich history of this so-called failed industrial suburb. A collection of fifteen essays and one prose poem, The Making of an All-America City explores East St. Louis’ life as a river city, its complex experience with race, its challenges of deindustrialization, and the political choices that it has made from a wide range of perspectives.





