Categories
Architecture Historic Preservation Housing Old North

A Dying House on Clinton Street

The poor old house at 1219 Clinton Street in Old North St. Louis may be headed toward the end of a long death cycle. The beautiful side-gabled brick house is one of those Federal or Greek Revival-inspired row houses that lines streets in Old North in the middle 19th century. Prior to the popularity of the Italianate and Second Empire styles in the 1870s, and with materials like tin not widely available for ornamental cornices, builders tended toward a restrained, elegant form. These houses had segmental arches or flat (sometimes arched) stone lintels over doors and windows. They were two stories with an attic in the roof. Cornices were usually simple dentillated rows or wooden boards with beading or other patterns. Mostly tenements, these houses had gallery porches in back with staircases leading to second floor flats. Amid dense blocks, with buildings attached, mouse holes opening to gangways were necessary to allow for the passage of residents to and from the streets.

Later, as the Italianate style hit the neighborhood, some builders built transitional buildings like this one. Here we have the restraint of the mid-19th century with Italianate touches like the rusticated limestone foundation and the Roman arches over the mouse hole and front door entrances. This house may date to the late 1870s or early 1880s, but it shares tendencies with homes built in the 1850s and 1890s. Furtermore, Old North has few buildings with intact mouse holes; the number may be around ten. This orphaned house tells us a lot about the stylistic evolution of vernacular architecture in Old North. Yet as the last surviving house on its block, its existence has been precious in recent years.


Battered by a major freak storm in July 2006, the house nonetheless improbably survived the next two years without further loss of walls. Sure, the house roof structure was essentially unsupported, and shifting gradually every month, but there was enough building material left to envision rebuilding. Definitely became maybe this June, when two storms led to devastating wall collapses, including all of the remaining east wall. Settling is fairly advanced with as much rain weight as has passed through the neighborhood this year.

Yet this advancd state of decay is a long time coming. The city Building Division listed the house as “vacant” since 1991. Sheila Bass, currently listed as owner of a house in the Academy neighborhood, owned the house for years before defaulting on real estate taxes; in 2005, the Land Reutilization Authority took title after there were no bids at a sheriff’s sale. (Oddly, none of Paul J. McKee Jr.’s agents bid on the house.) At that point, much damage had already been done. For many years, the house was accessible through the first floor windows, left unboarded and without both sashes. A peek inside in 2004 revealed partial joist failure in the front parlor.

Many factors take a proud old house to death, but none are as powerful as water and negligence. Any one of these factors over a long enough period of time is a death sentence for an old building.

Categories
Abandonment Grafitti South St. Louis

Thoughts on Ed Boxx

I don’t know if prolific tagger Ed Boxx (also known as Rexx Ram or Red Foxx) is really dead, or if he faked his death as a prank.

I don’t know who Ed Boxx really is, and I don’t think that I know anyone who has met him in person.

I have no idea what is meant by “Get Up, Get God.”

I don’t know how I feel about the artist’s use of historic buildings as tablets for his work. Actually, I do. I don’t like it. But I don’t like it a whole lot less than I don’t like property owners letting their buildings deteriorate to the extent where they don’t even try to clean up grafitti.

One thing that I know for certain is that this Ed Boxx piece on the dormitory buidling of St. Mary’s Infirmary captures my attention and admiration. The skyline drawing, the colors, the imitation of the building’s rooftop cross in the work — this is pretty deliberate work. I’d rather not see this work on this building, but that’s not the root problem. Not at all.

Categories
Historic Preservation Salvage St. Charles County

"Historical Building for Removal"

On CraigsList. The ad shows a photo of a small front-gabled frame building with shed-roofed addition. The location is New Melle, Missouri. The cost seems to be $1: “Good 100 year old lumber including wide plank floors for the cost of removal plus $1.”

Categories
Downtown Green Space JNEM Parks Planning Streets

Time to Revise Memorial Drive

In my latest commentary for KWMU, I join what is becoming a bandwagon call: “Time to Revise Memorial Drive”.

Kudos to Rick Bonasch, whose STL Rising blog post “The Case for a New Memorial Drive” served as my inspiration.

Categories
Architecture Downtown Historic Preservation

Gill Building Gets Its Due


The fate of the diminutive Gill Building at the southeast corner of Seventh and Olive streets downtown has been in question in the past few years. Originally built in 1910 and designed by St. Louis architect and builder Moritz Eyssell (but previously attributed to Kansas City architect Louis Curtiss, whose Boley Block is almost certainly the inspiration for this design), the building was part of a grouping of white Winkle terra cotta-faced building on the 600 block of Olive Street. Across the street remains the massive Railway Exchange Building, but gone are the Tower Building, the Erker’s Building and one other commercial building that comprised the district. In 1978, these buildings were included in the National register of Historic Places as the Olive Street Terra Cotta Historic District. At that point, the massive Famous-Barr parking garage already dwarfed the Gill Building.


Jack Randall owned the Gill Building for years, maintaining an apartment on the upper floors. In 2002, May Department Stores abruptly closed Randall’s access to the fire escape in the parking garage (the only fire escape for the building, since the footprint doesn’t allow for an internal one) and started a protracted legal battle. Randall abandoned the building and put it up for sale. When May sold its assets to Federated Department Stores, I expected a new deal for the building — and that’s what came.

Mark Pitliangas, who has developed a specialty in rehabbing the narrow buildings of Olive Street (including the Eastman-Kodak Building), purchased the Gill Building earlier this year and has just completed a full exterior renovation. The white terra cotta glistens, the window sash and casements are painted and the first two floors (long since altered) are attractive. Interior work continues, with the lower floors slated for retail and the upper floors for offices. (Office and retail projects seem stable downtown amid fluctuating financing.)

The end result will be a consolation to those who have admired the graceful building. Delicate modernism — the curtain wall, the abstract ornament that avoids classicism — and the striking color create a building whose architectural power is greatly out of proportion with its small size. The Railway Exchange Building holds the eye, surely, but when you some upon this block the Gill Building gets the first glance.

Categories
Downtown Historic Preservation

Opportunity on Locust Street


The building at 1008 Locust street that most recently housed Blustein’s Bridal Shop is for sale. Owned by Alverne Associates LC, which owns the beleaguered Alverne Building to the west, the building has been empty since 2004 when the bridal shop relocated to St. Charles. The commercial building is one of the last buildings in this part of downtown unclaimed by a serious developer. With its striking arcades, finely detailed terra cotta spandrels between the second and third floor and elegant contrasting stonework, the building is an outstanding composition in the Romanesque Revival style. The building dates to 1886, making it earlier than almost all of its neighbors and a virtual contemporary of the Old Post Office. Unfortunately, the building has never been listed in the National Register of Historic Places although it would have contributed to a downtown historic district axed in 1978.

Fortune has turned favorable for this block since 2004: Craig Heller’s LoftWorks completed rehabilitation of the Delany Building at 10th and Locust, and has just announced that Left Bank Books may soon occupy its ground floor; LoftWorks is wrapping up work at the Syndicate Trust Building, which will create retail activity one block east; the long-suffering Farm and Home Building across the street is slated to be rehabbed for office space by LoftWorks; the Roberts Brothers are mulling over plans for a Hotel Indigo one block east at 917 Locust. This building won’t sit on the market too long. Perhaps reuse of this building will spur a creative solution for the Alverne…

Categories
Historic Preservation Metro East

Barn Raising in Collinsville Starts Today

Starting today, the Timber Framers Guild will partner with the Collinsville Illinois Area Recreation District (CARD) and Trillium Dell Timberworks in a project to repair and re-assemble the historic 36′ x 85′ Gindler Barn at a TFG workshop running through July 19 at Willoughby Farm, Collinsville, Illinois.

The 19th century Gindler Barn was donated to CARD in 2007; it will be the second restored barn to be re-erected at Willoughby Farm. CARD oversees more than 400 acres of parkland and provides recreational programs and special events for the community. As part of this program, CARD purchased the 40-acre Willoughby Farm, a community fixture in the Collinsville area since the 1900s and one of the last significant tracts of open space along the Collinsville bluff line.

CARD plans to make Willoughby Farm into a living history farmstead and a real working Midwestern farm as it was in the 1920s to 1950s. Another goal is for visitors to gain appreciation for the outdoors while hiking or strolling on interpretive trails in the conservation area. The farm area is 10 acres and the conservation reserve area is 30 acres. Willoughby Farm will also demonstrate and promote sustainability practices of the era and how those same values can play a significant role in protecting the environmental investments of our present and future.

Willoughby Farm is located on a secluded hilltop farmstead 15 miles northeast of St. Louis.

More information is online here.

Categories
Downtown

View of the Fireworks

From where will you be watching the downtown fireworks tonight?

Categories
North St. Louis Riverfront

Mound Marker

by Michael R. Allen


Perhaps you have seen the rough granite stone ceremoniously placed in the limestone ring at the intersection where Howard, Broadway and Seventh streets meet on the north riverfront. Know what it is? This stone once held a plaque — later stolen, perhaps to be scrapped at the metal yards up the street — commemorating the famous prehistoric Big Mound. The Big Mound stood one block north at the northeast corner of Broadway and Mound Street until 1869, when it was removed to make way for industrial construction. The iconic Big Mound was 30 feet tall and 150 feet wide, and plainly visible from the Mississippi River. That mound and others helped conjure our city’s nickname of “Mound City.”

The new Mississippi River Bridge will not impact the site of this marker, but it will claim the site of the old mound. Federal funds ensure that archaeological mitigation work will be done, so we may have a chance at making discoveries about the mound. Meanwhile, the Mounds Heritage Trail Route will connect the north riverfront mounds with those in East St. Louis and at Cahokia Mounds. That project will include permanent markers. perhaps the plaque will return.

Categories
Demolition Historic Preservation North St. Louis Northside Regeneration St. Louis Place

Another Lost Corner in St. Louis Place

by Michael R. Allen

In March, I wrote about the tragic loss of an entire block of buildings in St. Louis Place due to brick rustling. Many of the houses on the 1900 block of Wright Street between Florissant Avenue and North 20th Street were owned by Paul J. McKee, Jr., but three were owned by others. (See “Brick Rustlers Decimate Wright Street Block,” March 26, 2008.) Two buildings comprising a magnificent row had been the property of DHP Investments, the failed company led by Doug Hartmann that left over 120 historic city buildings in various states of abandonment, including the landmark Nord St. Louis Turnverein. Hartmann’s buildings here were imposing three-story buildings with elegant masonry details, mansard roofs punctuated by squared dormers and even intact cast iron balconies.

Missing from my earlier coverages was mention of a row that stood across the alley on Dodier Street until this February. The two buildings at 1944-50 Dodier Street were not as exotic as their neighbors to the south, but they were every much as responsible for creating the sense of place for the neighborhood. The best part of these two buildings was their relationship: the eastern tenement building was wide and set back from the street, while its conjoined neighbor with commercial space came right up to the sidewalks on both Dodier and 20th streets. This pair beautifully demonstrated the order or urban space as it recedes from the public sphere to the semi-private. Here, the public was that which is immediate to the right-of-way, while the semi-private was removed just enough to mark the boundary between residents and passers-by. Both buildings were completely urban.

The details were also lovely. The tenement’s brick dormers pack a punch not found in the small belt courses and elegant but typical stone sills. Next door, a corbelled cornice, central dormer and vivid stone keystones give a plain brick wall pizazz. The details are common for vernacular buildings of the 1880s and 1890s, when these were built. While the rarity of such buildings and their details makes them more precious, their historic commonality provides the real significance. There was a time when such finesse was a matter of course even in working class housing.

Alas, these buildings fell into the hands of the city’s Land Reutilization Authority by the 1970s, and were vacant for awhile before Victor Casine (whose ownership of another building recently was profiled in the Vital Voice) purchased them in 1982. Casine promised rehabilitation, but did little other than allow further deterioration. The city’s Building Division reported the buildings as vacant for every year that Casine owned them. Numerous citations led to one suit filed by the city against Casine. Casine himself sued the city in 1989 for supposedly damaging the property when the Forestry Division mowed the overgrowth Casine did not trim himself.

After three years in which Casine did not pay outstanding liens and taxes on the property, the Sheriff auctioned the houses in 2003. This time was on the cusp of McKee’s purchasing, and so the buildings found no bidder. The Land Reutilization Authority took title once more, and after the rear walls collapsed was granted emergency demolition by the Building Division in January 2008. And so it goes. Those new to following land speculation and demolition in St. Louis Place should know that the tragedy is not new and has never been closer to real solutions as it is now. A long time ago, buildings bit the dust without so much as a photograph taken and owners let property decay without a call to the alderman, let alone protests at City Hall. Now, there is relatively wide attention on the future of the neighborhood. From that attention could come action.